Afternoon light turned this fire truck detail into an illustration. The colors and textures seem to pop right out.
Completed in 1773, Christ Church is a fantastic example of Georgian architecture in Old Town Alexandria. I loved the way the afternoon sunlight was streaming through these exterior windows, imprinting its own pattern onto the doorway.
I love this elevator. It has that perfect creepy institutional aura.
El Galeon is a replica of the Spanish sailing ships used during the colonial era. Here, a crew member works on the bowsprit, high above the Potomac River.
Just one of those funny sights you might easily pass by everyday without noticing. The attendant wasn’t too keen on being in the shot, as you can tell.
This was another instance where I found a scene that I really liked, but it needed a human element to add interest. I camped out in this spot for a while and got several different shots of people walking by, but this guy running down the street was by far the most interesting. Not being dressed in running gear, you have to wonder why he is running. Furthermore, I was able to catch him at a moment where it almost looks like he is floating on air.
I’m trying some new concepts with my street photography. The idea of parking yourself on a street corner and waiting to see what happens is certainly not new to street photography (in fact it is about as old as the genre itself), but it’s not something I’ve done often. Usually I have the kids in tow and they are not all that patient (can you blame them?), so I can’t park myself for long.
The other day, I was able to stay in this spot for about 5 minutes and I would just wait for folks to walk by. I was realizing that the light worked particularly well when they would turn their head towards me, but usually they were focused in the direction they were walking. I thought it would be the same with this woman, but she happened to turn her head at almost the last possible moment before disappearing from view. In turn, I was rewarded with this photo that I feel captures the feeling of a fleeting moment, one that will soon be lost forever.
Initially, I was interested in capturing the movement of the man throwing bread crumbs to the gulls, who would in turn catch the crumbs in midair. Later, as I was reviewing photos from the day, I became fascinated by the interplay between the lines that could be drawn between the gulls in the air and the shadows cast on the pavement by the trees just out of the frame.
One of my favorite black and white toning tricks is to pull down the blues so that the sky and water take on a more dramatic look and bump up the overall contrast of the photograph. This really brings out the texture of the clouds in the sky, as opposed to the sky looking like a boring mass of gray paste.
Lights from the dock, restaurants, and boats shimmer in the waters of the Potomac River. An exposure time of six seconds allows them to blur and become colorful patterns against the deep blue of the twilight sky reflected in the water.
Fleeting moments like these are the essence of street photography. They are elusive, but worth the wait when you capture them.