I see a lot of this roof. One day this past winter, I decided to make a picture of it. It was daytime but I processed it to give it more of an evening feel.
Initially, I was interested in capturing the movement of the man throwing bread crumbs to the gulls, who would in turn catch the crumbs in midair. Later, as I was reviewing photos from the day, I became fascinated by the interplay between the lines that could be drawn between the gulls in the air and the shadows cast on the pavement by the trees just out of the frame.
One of my favorite black and white toning tricks is to pull down the blues so that the sky and water take on a more dramatic look and bump up the overall contrast of the photograph. This really brings out the texture of the clouds in the sky, as opposed to the sky looking like a boring mass of gray paste.
Lights from the dock, restaurants, and boats shimmer in the waters of the Potomac River. An exposure time of six seconds allows them to blur and become colorful patterns against the deep blue of the twilight sky reflected in the water.
Fleeting moments like these are the essence of street photography. They are elusive, but worth the wait when you capture them.
Here’s a slightly different look at St. Mary’s Catholic Church in Old Town. The main facade of the church is on Royal Street, but this was taken from over a block away, on Fairfax. From that vantage, there is a perfect, clear view of the bell tower and it looks especially dramatic when silhouetted against a gorgeous evening sky.
Here’s a little snow to remind you that it’s actually still winter in the northern hemisphere. Also, not a bad example of some of the beautiful architecture here in the Del Ray neighborhood of Alexandria.
As some of you know, I’ve been studying and shooting architectural photos a lot this past 8 months or so. It’s been a while since I’ve been down to the Old Town waterfront, so when I was there last night walking around, I was surprised to see that the MGM is looking to be nearing completion (at least from the exterior).
I happened to have my 200mm f/4 in my pocket (try doing that with any other 200mm lens), so I put it on my camera and propped the whole thing on a pier piling using my wallet under the lens to get the angle just right. Blue hour makes for gorgeous architectural photos, assuming you wait until the ambient light mixes with the man-made light. It’s quickly becoming one of my favorite times to photograph!
Living in the Del Ray neighborhood of Alexandria has given me some new scenery on my walks with the kids, and the bold mural painted on the side of Cheesetique’s building is just one of the many sights.
I knew I wanted to photograph the mural ever since I first saw it, but it seems that to reveal the whole thing would make me some sort of photographic copy machine. So I’ve let the thought percolate for a while. Do I look for some interesting light? Light it myself? Use it as a portrait backdrop (keeping that thought in mind for the future)? What?
Then the other day it dawned on me, clear as day. Shoot some abstract details. Duh.
I took many shots of difference parts of the mural, which includes the Washington DC skyline, a train, and a derby horse with jockey. I figured the DC skyline made sense, and I knew that Potomac Yard used to be a huge railroad yard, but the racehorse?
I did a little digging into the history of Del Ray, and discovered that the St. Asaph Racetrack (closed since 1905) used to be quite the scandalous affair. The track no longer exists, but you can tell where it used to be from the diagonal streets that enclosed it (E. Mt Ida & E. Randolph Avenues).
Looks like a nice place to relax, but for the 97º weather. Maybe another day!
I’ve been on this architectural kick lately, photographing all sorts of buildings that I find interesting. I’ve always liked the curved element of the sign on this store, and just had to wait a bit to get the right amount of action in front of the store to make things a little more interesting.