Just another of the many beautiful doors of Old Town Alexandria. Hard afternoon sunlight doing what it does best: showcasing color, texture, and form.
I see a lot of this roof. One day this past winter, I decided to make a picture of it. It was daytime but I processed it to give it more of an evening feel.
Lights from the dock, restaurants, and boats shimmer in the waters of the Potomac River. An exposure time of six seconds allows them to blur and become colorful patterns against the deep blue of the twilight sky reflected in the water.
This is why I try to carry a camera with me whenever possible.
Street photography is often frustrating, but at times opportunities just fall right in your lap. I doubt this girl purposefully parked herself right in front of these umbrellas that perfectly matched her skirt, but I am glad she did it! The sky was also a lovely shade of blue, providing a nice color contrast to the scene.
Architecture has always been a passion of mine. I am fascinated by the way lines intersect and branch off to form other shapes and patterns. The feeling that these two parts of the building converge somewhere that we can’t see is very interesting to me. Walk a little bit further to the left and it’s a completely different feeling.
I also love the way the trees filter the late afternoon sunlight, casting undulating patterns on the buildings. Once again we see the marriage of architecture and nature, if not necessarily intentional.
Here’s a little snow to remind you that it’s actually still winter in the northern hemisphere. Also, not a bad example of some of the beautiful architecture here in the Del Ray neighborhood of Alexandria.
Here’s a little neoclassical architectural detail for your Saturday morning. Sometimes you have to look up. Keep looking up folks!
I debated for a long time about whether or not to process this photo as a black and white or to keep it color. In the end I decided that the beautiful paint job on this car deserved a color photo.
As some of you know, I’ve been studying and shooting architectural photos a lot this past 8 months or so. It’s been a while since I’ve been down to the Old Town waterfront, so when I was there last night walking around, I was surprised to see that the MGM is looking to be nearing completion (at least from the exterior).
I happened to have my 200mm f/4 in my pocket (try doing that with any other 200mm lens), so I put it on my camera and propped the whole thing on a pier piling using my wallet under the lens to get the angle just right. Blue hour makes for gorgeous architectural photos, assuming you wait until the ambient light mixes with the man-made light. It’s quickly becoming one of my favorite times to photograph!
Living in the Del Ray neighborhood of Alexandria has given me some new scenery on my walks with the kids, and the bold mural painted on the side of Cheesetique’s building is just one of the many sights.
I knew I wanted to photograph the mural ever since I first saw it, but it seems that to reveal the whole thing would make me some sort of photographic copy machine. So I’ve let the thought percolate for a while. Do I look for some interesting light? Light it myself? Use it as a portrait backdrop (keeping that thought in mind for the future)? What?
Then the other day it dawned on me, clear as day. Shoot some abstract details. Duh.
I took many shots of difference parts of the mural, which includes the Washington DC skyline, a train, and a derby horse with jockey. I figured the DC skyline made sense, and I knew that Potomac Yard used to be a huge railroad yard, but the racehorse?
I did a little digging into the history of Del Ray, and discovered that the St. Asaph Racetrack (closed since 1905) used to be quite the scandalous affair. The track no longer exists, but you can tell where it used to be from the diagonal streets that enclosed it (E. Mt Ida & E. Randolph Avenues).